![]() Miles Ledoux graduated from SUNY Potsdam in 2007 with a major in creative writing and a minor in drama. He then attended grad school at California State University, Northridge, and received a Master's Degree in screenwriting in May 2009. He plans to apply to a doctoral program in film studies next year. His goal is to become a feature film writer.
Excerpt from The Haunting of FrostEXT. WOODS - NIGHT Quivering, Liz presses her back to a thick tree trunk, Slowly she shuffles sideways around the trunk, peering The streetlights are visible in the distance. Lowering her hand, taking a deep, shaky breath, Liz steps Immediately, the woods seem to come alive with shadows. The lights look farther away; tree branches seem to close Breathing harder and faster, growling through her teeth, EXT. MARY'S HOUSE - CONTINUOUS She emerges into Mary's backyard, straight into someone's MARY Liz realizes it's a police officer, breaks down, crying. MARY (CONT'D) LIZ She points at the house. Mary shakes her head. MARY LIZ MARY She escorts Liz to the front yard. MARY (CONT'D) Liz nods shakily. Mary leads her to the golf cart. MARY (CONT'D) LIZ Mary goes to her car, starts the engine. Liz does the A couple seconds later, CJ appears from the opposite CJ
INT. MARY'S HOUSE - CONTINUOUS He bursts inside, balks at the sight of the shambles. CJ He shoves a table out of his way, flips on the lights, An unmoving hand protrudes from behind the counter.
INT. KITCHEN - CONTINUOUS CJ quickly rounds the counter, breathes a sigh of relief. It's the plastic hand from the bowl of candy. CJ turns, fumbles with a door just behind him, opens it. ROBERT CUST LURCHES TOWARD HIM-- Startled, CJ cries out, shoves Cust away, backs up Cust's stiff body hits the floor, rolls over, lands with CJ He gawks at the body for several moments. The phone CUST (O.S.) CJ stares at the phone in horrified disbelief. Then CJ CUST (O.S.) CJ can't see anyone outside.
INT. LIVING ROOM - CONTINUOUS CJ goes to the front window; no luck there either. CJ CUST (O.S.) CJ CUST (O.S.) CJ CUST (O.S.) The phone CLICKS. CJ's left alone with the corpse.
EXT. LIZ'S HOUSE - NIGHT The golf cart pulls up to the curb. Dazed, Liz heads up The wind blows the note out of her hand, to the left. NORTH (V.O.) Liz gulps. LIZ (V.O.) Slowly but firmly, she shuts her door.
EXT. DEATH'S HOUSE - MOMENTS LATER Liz's feet tread hesitantly up the porch steps, She swings the door open, looks a the blackness
INT. DEATH'S HOUSE - CONTINUOUS By moonlight, Liz observes the decaying, cobweb-covered LIZ A noiseless breeze stirs the cobwebs. LIZ (CONT'D) She takes two steps forward. LIZ (CONT'D) She waits, looks around. It's completely still. LIZ (CONT'D) She shakes her head, wanders to the left, passes through LIZ (CONT'D) She circles what used to be a dining table. LIZ (CONT'D) She jumps as she notices her father on the opposite side LIZ (CONT'D) She comes out from behind the table. LIZ (CONT'D) Her father steps forward, his eyes filled with cold fury. LIZ'S FATHER LIZ LIZ'S FATHER Liz cowers down, squealing like a little girl. --And for a split second, she is a little girl, crawling She's herself again. She tries to control her voice. LIZ LIZ'S FATHER The last word is so sharp it slams Liz against the wall. LIZ The fury in his eyes dims. LIZ'S FATHER LIZ She brushes hair out of her eyes, notices her sleeve is LIZ (CONT'D) She shakes her head, dumbfounded. Then she looks up. LIZ (CONT'D) Beat. There's no one in front of her. She's alone. Now calm, Liz takes a step forward. Something CRINKLES It's the other half of the paper CJ found at the library. LIZ (CONT'D) She frowns. Why does that address seem familiar?
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