Sample Bibliography

Bibliography 

Adler, Guido and Oswald Koller. Sechs Trienter Codices : geistliche und weltliche Kompositionen des XV
     Jhs
. Denkmäler der Tonkunst in Österreich. Bd.14, 15. Graz: Akademische Druck- u. Verlagsanstalt, 1900.

 

Bach, Johann Sebastian. Matthäuspassion. Neue Ausgabe sämtlicher Werke, ed. Johann-Sebastian-
     Bach-Institut, Göttingen, and Bach-Archiv, Leipzig, eds. Alfred Dürr and Max Schneider. Ser. II, Bd. 5.
     Kassel: Bärenreiter, 1972. 


Blackburn,  Bonnie J., Edward E. Lowinsky and Clement A. Miller, eds. A Correspondence of Renaissance
     Musicians.
Oxford: Oxford University Press, 1991.

 

Dufay, Guillaume. Opera omnia. Heinrich Besseler, ed. 6 vols. Rome: American Institute of Musicology, 1947-66.

 

Eisen, Cliff and Stanley Sadie. "Wolfgang Amadeus Mozart." The New Grove Dictionary of Music and Musicians.
     ed. S. Sadie and J. Tyrrell. 2nd edn. (London: Macmillan, 2001) 17: 276-347.

 

Eisen, Cliff and Stanley Sadie. "Wolfgang Amadeus Mozart." In Grove Music Online.  Oxford Music Online,
     http://www.oxfordmusiconline.com/subscriber/article/grove/music/06492 (accessed September 6, 2012).

 

Giger, Andreas. "Social control and the censorship of Giuseppe Verdi's operas in Rome (1844-1859)."
     Cambridge Opera Journal 11
(1999): 233-65.

 

Haydn, Franz Joseph. Symphony, No. 96, (London No. 6) [originally no. 14] in D major. Edited from the
     first prints by Ernst Praetorius. London: Eulenburg,1935.

 

Meconi, Honey. "Art-Song Reworkings:  An Overview." Journal of the Royal Musical Association 119 (1994):
     1-42.

 

Nosow, Robert M. "The florid and equal-discantus motet styles of fifteenth-century Italy." Ph.D. diss., Univ. North
     Carolina, 1992.

 

Tinctoris, Johannes. Opera theoretica, 2 vols. Ed. Albert Seay.Corpus scriptorum de musica 22. American
     Institute of Musicology, 1975.



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