| Name | Contact Information |
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Iggy BeerbowerAssociate Professor and Chair, Art Department Art
Iggy BeerbowerAssociate Professor and Chair, Art DepartmentBrainerd Hall 219
beerboi@potsdam.edu
More Info |
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Caroline J. DowningDistinguished Teaching Professor Art
Caroline J. DowningDistinguished Teaching ProfessorBrainerd Hall 227
downincj@potsdam.edu
Ph.D. Indiana University More Info |
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Laura M. Fair-SchulzAdjunct Instructor, Art History, Art Studio Art
Laura M. Fair-SchulzAdjunct Instructor, Art History, Art StudioBrainerd Hall 217
fairsclm@potsdam.edu
More Info |
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Nathaniel L. InfanteAssistant Professor, Art Studio-Printmaking ArtNathaniel L. InfanteAssistant Professor, Art Studio-PrintmakingBrainerd Hall 231
infantnl@potsdam.edu
More Info |
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Danielle K. JohnsLecturer and Coordinator of Art Education ArtDanielle K. JohnsLecturer and Coordinator of Art EducationBrainerd Hall 138
johnsdk@potsdam.edu
More Info |
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Kathleen M MahoneyAssociate Professor, Graphic Design and New Media Art
Kathleen M MahoneyAssociate Professor, Graphic Design and New MediaBrainerd Hall 224
mahonekm@potsdam.edu
More Info |
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Mollie A MayetteAdministrative Assistant 1 Politics, Women's and Gender Studies Program, Philosophy, Sociology & Criminal Justice, Art, Interdisciplinary Studies, School of Arts & Sciences, History, Psychology, Theatre and Dance, English |
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Sheila R NealAssistant Professor, Graphic Design and New Media Art
Sheila R NealAssistant Professor, Graphic Design and New MediaBrainerd Hall 222
nealsr@potsdam.edu
More Info |
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Liza L PaigeAdjunct Instructor, Art Studio Foundations Art
Liza L PaigeAdjunct Instructor, Art Studio FoundationsBrainerd Hall 217
labargel@potsdam.edu
More Info |
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Morgan B PerkinsDepartment Chair (Anthropology) and Associate Professor Anthropology, Art
Morgan B PerkinsDepartment Chair (Anthropology) and Associate ProfessorMacVicar Hall 130A
perkinmb@potsdam.edu
D.Phil. University of Oxford, 2000 I am a sociocultural anthropologist with research interests in expressive and symbolic culture; especially the anthropology of art, museum anthropology, and engaged anthropology-with an evolving focus on the anthropology of climate change. Beginning with extensive fieldwork in China spanning several decades, my work on the intersections between traditional and contemporary art has become increasingly global, bringing together issues concerning consumption and material culture, globalization and social change, migration and refugees, environmental art, and the subtle intersection between shared and restricted knowledge. I aspire towards collaborations-between students and teachers, artists and anthropologists-and applied learning to develop creative, cross-cultural forms of engagement to envision and create a humane climate and future. Primary Current Project: Museums Without Borders is comprised of several past and ongoing collaborative exhibitions developed through a collective of anthropologists, artists and museum curators. While topics have varied, its current priority is to engage with the climate crisis by uniting the unique qualities of anthropology, art and museums through displays beyond the conventional spaces of museums. We seek to identify innovative ways to help create a humane climate, broadly defined. Selected Publications: "'A Hundred Ways to Learn' About Zhang Hongtu." 2015. In Zhang Hongtu: Expanding Visions of a Shrinking World. Jerome Silbergeld and Luchia Liu, eds. Durham: Duke University Press. Asia Through Art and Anthropology: Cultural Translation Across Borders. 2013. Edited with Fuyubi Nakamura and Olivier Krischer. London: Bloomsbury. "Painting on Location: Lin Haizhong and Contemporary Chinese Ink Painting." 2013. In Asia Through Art and Anthropology: Cultural Translation Across Borders. Edited with Fuyubi Nakamura and Olivier Krischer. London: Bloomsbury. "Cultural Knowledge on Display: Chinese and Haudenosaunee Fieldnotes." 2010. In Between Art and Anthropology. Arnd Schneider and Christopher Wright, eds. Oxford: Berg. The Anthropology of Art. 2006. Edited with Howard Morphy. Blackwell Anthologies in Social and Cultural Anthropology. Oxford: Wiley-Blackwell. "'Do We Still Have No Word for Art?' A Contemporary Mohawk Question." 2005. In Exploring World Art. Robert. L. Welsch, et. al., eds. Long Grove, Il: Waveland Press. "Continuity and Creativity in Iroquois Beadwork." 2004. American Anthropologist. 106(3) September Selected Exhibitions Curated: For Our Only Home. St. Lawrence University. 2024. Co-curated with Cathy Shrady. A cross-cultural exhibition on artistic reflections on the climate crisis. Designed to accompany Tibetan Buddhist Chenrezig Sand Mandala: Healing and Compassion in Challenging Times. Richard F. Brush Gallery, St. Lawrence University. Painting on Location: The Art of Lin Haizhong. Roland Gibson Art Gallery, SUNY Potsdam. 2012. Bag of Wisdom: Igbo Knowledge and the Art of Obiora Udechukwu. Hosmer Gallery, SUNY Potsdam. 2007. Icons and Innovations: The Cross-Cultural Art of Zhang Hongtu. Roland Gibson Art Gallery, SUNY Potsdam. 2003. What Are We Leaving for the Seventh Generation? Seven Haudenosaunee Voices. Co-curated with Katsitsionni Fox. Roland Gibson Art Gallery, SUNY Potsdam, Iroquois Indian Museum, Howes Cave, NY and Akwesasne Museum, Hogansburg, NY 2002-2003. Courses Taught: More Info |
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Katherine A SchulerInstructional Support Specialist Art
Katherine A SchulerInstructional Support SpecialistBrainerd Hall 114
schuleka@potsdam.edu
More Info |
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Amy R SwarteleProfessor, Art Studio-Painting Art
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Michael D. YeomansAssociate Professor, Art Studio Foundations Coordinator Art
Michael D. YeomansAssociate Professor, Art Studio Foundations CoordinatorSatterlee Hall 121A
yeomanmd@potsdam.edu
More Info |
